“Having been with American for so long we wanted to give them first right of refusal because that’s how we are. King is enthusiastic about the move, “I like it,” he declares, stressing the work like. Once we had that under our belts we started thinking about a record and never looked back.”Īfter two decades with American Recordings, Slayer found a new home with Nuclear Blast, the German independent label known for its metal roster. We’re really tight right now and we’re stoked that we’re still doing it. And the way I looked at it was: if it wasn’t this, it was going to be something that sounded exactly like this, so why not continue doing this? It’s super-potent. “Now we were out to see if it made sense to continue, to see if we liked it, to see if the band still enjoyed it. King said that Slayer still had to test the water. And we hope we’ve done Slayer and him justice.” Slayer was a big thing for Jeff, and so I’m looking at it in that sense. Having Paul and Gary made everything a little easier to handle. He’s a former member and that’s the best thing about it. Having Paul back was also a comforting feeling. Gary’s a friend, a friend of Jeff’s, he knew what was going on and he wanted to help in any way he could, so Gary made Slayer a comfortable place to be. I’d think that if something were to happen to someone else in the band, whoever it was would feel the same way. Gary is just a guitar dynamo and he was the guy.” Exodus was the first band we’d ever met that became our friends immediately and we stayed friends throughout the years. And the thing with Gary was that we were all friends. Even though we’d been touring for two years without Jeff, thinking he was going to come back, now there was finality to it. That’s what you do as a musician: you either go out and tour or you stop working. “We went out and toured afterwards to see how we felt about it. I assumed I’d be able to go out there and see him after I got done with whatever business I had to do and that day never came. We knew he’d been sick but nobody expected it to be so quick. It was the day of the Revolver Golden Gods Awards. As guitarist and Slayer co-founder Kerry King puts it, “I remember the day that Jeff died. Slayer never skipped a beat and since Holt and Bostaph both played in Exodus, it was all-in-the-thrash-family.īut it didn’t come easily. Around that time, drummer Dave Lombardo exited the band for the third time and Paul Bostaph, (who played with the band from 1992 – 2001), returned to take over the throne. During Jeff’s illness, friend of the band, guitarist Holt stepped in to help out on tour with Jeff’s blessing and stayed on. A co-founder of Slayer, losing Jeff was very difficult for the band. In 2013 the world mourned the loss of guitarist Jeff Hanneman who died from complications following a two-year illness. It was also the most challenging record Slayer has ever had to make. Repentless is dark, fast, aggressive and without mercy. Repentless, the band’s first new album in six years, continues the Slaytanic offensive with a twelve-song, blood-shaking sonic attack. Slayer is a five-time nominated, two-time Grammy Award-winning metal juggernaut that writes songs which mirror the turmoil and aberrations of our society. Thirty-four years into its career, Slayer remains the preeminent punk-thrash band that helped establish the genre and that up-and-coming metal heads continue to revere and emulate. Repentless is crushing and brutal, steadfastly refusing to cater to the mainstream. Produced by Terry Date, Repentless was written and recorded by guitarist Kerry King and singer/bassist Tom Araya at Henson Studios in Los Angeles, along with returning drummer Paul Bostaph and guitarist Gary Holt. Slayer, the long-reigning titans of thrash, returns with Repentless, the band’s 11th studio album and its first album for Nuclear Blast. REPENTLESS IS A DECLARATION: THERE WILL BE NO COMPROMISE